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Kirsten Lavers

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  • Admitting the Possibilities of Error 2010 - 2025
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  • ABOUT
  • CONTACT
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Admitting the Possibilities Error ~ Conceptual Drawings 2010 - 2025

Each drawing has emerged from a meditative process that begins with the perimeter line of a perfect circle, evolving thereafter from repeated attempts to perfectly copy the preceding line. Small mistakes accumulate, creating images reminiscent of fingerprints or tree rings.

Over 15 years this simple approach has grown from doodling into an in depth engagement with a range of experiences and issues creating possibilities for conversations around our desire for perfection and discomfort with fallibility.

The number of circles drawn, the surface or the pens or pencils used were determined by each drawing’s meditation. Drawings took place as live performance for specific sites, in conversation with work/study teams, by commission or privately in my studio.

Cambridge University Botanic Gardens

Cambridge Chelsea Fringe, May 2015

 

 

 

 

 

 

Admitting the Possibilities of Error beside (and in honour of) the Cambridge Oak using colours suggested by 42 people asked to choose one colour to draw a tree, with accompanying historical timeline sourced from Wikipedia on May 29 2015

 

 

 

 

 

 

 

 

 

The Cambridge Oak was planted around 1873 making it 142 years old. I drew one circle for each year of its life. The tree has developed a fungal infection and is now dying. A graft was planted on Cory Lawn in 1991 and is growing well.  

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Drawing Circle UK 5

I started this sketchbook in February, since then it has been responded to by 4 other members of my Drawing Circle group. These are the pages before it begins another circuit of creative responses. 

Thank you Karen, Paul, Andrea and Lucy.

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Wellington, New Zealand

Performance Arcade Live Art & Music Festival 2015. Waterfront, Wellington New Zealand

 

 

 

 

 

 

Admitting the Possibilities of Error in Wellington, 57 hours drawing using pens and pencils donated by businesses and individuals many of whom transformed a remembered (positive) mistake into food, transport, clothing, plants, animals, or colours

 

 

 

 

 

 

 

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 115.8cm x 115.8cm - drawing now in a private collection following a silent auction in aid of Performance Arcade

115.8cm x 115.8cm - drawing now in a private collection following a silent auction in aid of Performance Arcade

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